Includes unlimited streaming of Wide as Heaven: A Century of Song by Black American Composers
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about
Before Marian Anderson came into the world’s consciousness on a cold
Easter Sunday in 1939 for performing in front of the Lincoln Memorial, after being refused permission by the Daughters of the American Revolution to sing in Constitution Hall, many African American opera and concert singers had already established themselves as artists of note. The first of these pioneering singers was Elizabeth Taylor Greenfield (1817–1876), a former slave. Many more followed, including Sisserietta
Jones (1868–1933), who sang in Carnegie Recital Hall with Harry Burleigh in 1892. Among the male singers was the lyric tenor, Roland Wiltse Hayes (1887–1977). Like Burleigh, Hayes arranged many of the spirituals and Negro folk songs he would present in concert with his pianist and fellow arranger, Percival Parham. In fact, it is difficult to know exactly who arranged which of the songs presented here. It is widely assumed that the simpler arrangements like “Lit’l Girl” were Hayes’ and those, like the more pianistically elaborate, “O Le’ Me Shine,” were Parham’s.
lyrics
O Le’ Me Shine
(Traditional)
O le’ me shine!
Shine, le’ me shine.
Shine like a morning star.
As Moses shine, O le’ me shine,
Shine!
As Moses shine, O le’ me shine
Shine like a morning star.
As David shine, O le’ me shine,
Shine!
As David shine, O le’ me shine
Shine like a morning star.
If you can shine, le’ me shine!
As I went down to the valley to pray,
Shine,
I met old Satan on my way
Shine like a morning star
O what do you reckon old Satan said to me?
“Go back old man, you’re too old to pray!”
Shine like a morning star.
“You’re too old to pray, but you’re too young to die.”
Shine.
“You’re too old to pray, but you’re too young to die.”
Shine like a morning star.
Oh, get out the way an’ a-let me shine!
Oh, get out the way an ’a-let me shine!
As Jesus shine, O le’ me shine,
As Jesus shine, O le’ me shine,
Shine like a morning star.
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