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about

Before Marian Anderson came into the world’s consciousness on a cold
Easter Sunday in 1939 for performing in front of the Lincoln Memorial, after being refused permission by the Daughters of the American Revolution to sing in Constitution Hall, many African American opera and concert singers had already established themselves as artists of note. The first of these pioneering singers was Elizabeth Taylor Greenfield (1817–1876), a former slave. Many more followed, including Sisserietta
Jones (1868–1933), who sang in Carnegie Recital Hall with Harry Burleigh in 1892. Among the male singers was the lyric tenor, Roland Wiltse Hayes (1887–1977). Like Burleigh, Hayes arranged many of the spirituals and Negro folk songs he would present in concert with his pianist and fellow arranger, Percival Parham. In fact, it is difficult to know exactly who arranged which of the songs presented here. It is widely assumed that the simpler arrangements like “Lit’l Girl” were Hayes’ and those, like the more pianistically elaborate, “O Le’ Me Shine,” were Parham’s.

lyrics

Lit’l Girl
(Traditional)
Lit’l Girl! Lit’l Girl!
“Yes, Ma’am”
Did you go to the spring?
“Yes, Ma’am”
Did you water my cows?
“Yes, Ma’am”
Did you count my lambs?
“Yes, Ma’am”
Did you feed my sheep?
“Yes, Ma’am”
Lit’l Girl! Lit’l Girl!
“Yes, Ma’am”
Did you feed my ducks?
“Yes, Ma’am”
Did you give ’em some corn?
“Yes, Ma’am”
Did the ducks lay eggs?”
“Yes, Ma’am”
Did you take ’em to the house?
“Yes, Ma’am”
Did you give to the cook?
“Yes, Ma’am”
Did she fix some bread?
“Yes, Ma’am”
Did she give you any?
“Yes, Ma’am”
Did the bread taste good?
“Yes, Ma’am!”

credits

from Wide as Heaven: A Century of Song by Black American Composers, released March 1, 2024

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New World Records Brooklyn, New York

Anthology of Recorded Music, Inc., which records under the label New World Records, was founded in 1975.

We are dedicated to the documentation of American music that is largely ignored by the commercial recording companies.

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