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Tom Varner: The Window Up Above

by Tom Varner

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I Got it Bad 04:21
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Lorena 01:59
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Ramblin' Man 04:37
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about

American Songs 1770 - 1998

“I wanted to do something different for this record. Instead of playing my own compositions, I wanted to simply explore a variety of songs that have an inner resonance, whether from family, religion, nation, or culture.” —Tom Varner

What Tom Varner has attempted on The Window Up Above is nothing less than a survey of the whole American song book, a millenium review of the last three centuries-and he succeeds brilliantly. Every song he has chosen has that American "thing," and his approach to every song is patently jazz, even where he chooses to play the melody "straight" to let its qualities shine through.

Highlights abound: The witty, off-center de- and reconstruction of the Revolutionary and Civil War smash hits "Stone Grinds All," "When Jesus Wept," "Kingdom Come, " and "Battle Cry of Freedom" will forever change the way you hear them; his understated, heartfelt renditions of "Lorena," "All Quiet on the Potomac," and "There is a Balm in Gilead" would make a stone weep; to say nothing of his splendid re-imaginings of standards like "Over the Rainbow" and "When the Saints Go Marching In."

Even Bruce Springsteen gets the treatment, his "With Every Wish" joining George Jones’s "The Window Up Above," Hank Williams's "Ramblin' Man,"(check out Mark Feldman's and Varner's hair-raising solos and closing duet) and Tammy Wynette's "Till I Get it Right" from the country canon.

In Varner’s unique arrangements, every song on this collection emerges freshly minted. Once heard, not soon forgotten.

credits

released January 1, 1998

Tom Varner, French horn; Pete McCann, guitar; George Schuller, drums; Lindsey Horner, bass; Mark Feldman, violin; Dave Ballou, trumpet; Steve Alcott, bass; Thirsty Dave Hansen, vocals

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New World Records Brooklyn, New York

Anthology of Recorded Music, Inc., which records under the label New World Records, was founded in 1975.

We are dedicated to the documentation of American music that is largely ignored by the commercial recording companies.

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